There is always something profoundly human at the heart of Carlo Verdone’s cinema: tenderness, fragility, unease. His characters inhabit entertaining, often exhilarating comedies, yet beneath the laughter runs a subtle current of melancholy and a persistent reflection on feelings.
Paninari: a youth subculture that emerged in late-1970s Milan and spread across Italy throughout the 1980s.
“I really hated Basildon. I wanted to get out as quickly as I could. I think being in a band was an escape. There was very little to do. It’s one of those places where you go drinking because that is your only option”.
Four songs. Four cities. A sequence that is sufficient in its own to understand the artistic journey of the most famous duo in Synth-pop music.
