Image by DanGuinski is licensed under CC BY-NC-SA 2.0
Image by DanGuinski is licensed under CC BY-NC-SA 2.0

Cinema

«Anyone who has ever been privileged to direct a film also knows that, although it can be like trying to write War and Peace in a bumper car in an amusement park, when you finally get it right, there are not many joys in life that can equal the feeling»

Stanley Kubrick

Films- the kiss that redeems from eternal sleep.
The redeeming power of films is the lifeblood of those who grasp the semantic and symbolic nuances of their multiple expressions.

Films are passion, desire and anxious expectation.
A heart wrenching feeling, of which one becomes part, and from which one no longer wishes to be separated. A beating heart, a second skin, they are the sensitive magic that awakens the soul.

Films mean observation, reflection and sharing.
Like in any other form of art, technique, skills and continuous research are also required here. Films mean a patient intellectual and emotional growth. In the ancestral need to tell and to listen to stories, films are the osmosis of thought.

Films mean singularity, universality and transcendence.
The simultaneous expression of unique and total moments. The transcended essence of the complexity and completeness of life.

Films are lucid dreaming and indelible memory.
It is the visionary, sometimes shocking, probing into the real in the unreal, the possible in the impossible. The pursuit of truth, in all its metamorphic aspects, be they incredible, joyful, dramatic or disturbing.

For us, films are an endless aesthetic experience and we are happy to experience it together.

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The film by Stanley Kubrick has always been controversial. Barry Lyndon (1975) is perhaps the most valued and praised film by the critics and the least loved by the audience, that still today think it is boring. Irrespective of personal taste, no one can deny the absolute technical and formal perfection of the film, in which highly deep topics and reflections are concealed.

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