There is always something profoundly human at the heart of Carlo Verdone’s cinema: tenderness, fragility, unease. His characters inhabit entertaining, often exhilarating comedies, yet beneath the laughter runs a subtle current of melancholy and a persistent reflection on feelings.
In 2016, the Danish filmmaker Nicolas Winding Refn unveiled to the world a new cinematic creation—one steeped in beauty and in stylistic and formal purity: The Neon Demon.
It’s not that hard to recognize a masterpiece: impeccable technical elements, a smooth, tight script, solid performances, and deeper meanings that allow the film to stand out in its genre – and even transcend it.
The opera is one of the key factors to understand the 19th century, the “long century” in which the modern world was shaped.
For us simplicity in cooking is essential; a sobriety that includes both the choice of ingredients used in a recipe and its execution.
The epic dimension of a film is almost always recognisable from the very beginning, the moment it conveys that sense of power that can transcend reality.
