«Anyone who has ever been privileged to direct a film also knows that, although it can be like trying to write War and Peace in a bumper car in an amusement park, when you finally get it right, there are not many joys in life that can equal the feeling»
Stanley Kubrick
Films- the kiss that redeems from eternal sleep.
The redeeming power of films is the lifeblood of those who grasp the semantic and symbolic nuances of their multiple expressions.
Films are passion, desire and anxious expectation.
A heart wrenching feeling, of which one becomes part, and from which one no longer wishes to be separated. A beating heart, a second skin, they are the sensitive magic that awakens the soul.
Films mean observation, reflection and sharing.
Like in any other form of art, technique, skills and continuous research are also required here. Films mean a patient intellectual and emotional growth. In the ancestral need to tell and to listen to stories, films are the osmosis of thought.
Films mean singularity, universality and transcendence.
The simultaneous expression of unique and total moments. The transcended essence of the complexity and completeness of life.
Films are lucid dreaming and indelible memory.
It is the visionary, sometimes shocking, probing into the real in the unreal, the possible in the impossible. The pursuit of truth, in all its metamorphic aspects, be they incredible, joyful, dramatic or disturbing.
For us, films are an endless aesthetic experience and we are happy to experience it together.
In 2016, the Danish filmmaker Nicolas Winding Refn unveiled to the world a new cinematic creation—one steeped in beauty and in stylistic and formal purity: The Neon Demon.
Avant-garde cinema, which emerged in the early 20th century from movements like Expressionism, Cubism, Abstract art, Dadaism, and Surrealism, continues to influence modern filmmaking, especially in films that are often difficult to decipher and sometimes deliberately shocking.
It’s not that hard to recognize a masterpiece: impeccable technical elements, a smooth, tight script, solid performances, and deeper meanings that allow the film to stand out in its genre – and even transcend it.
The film by Stanley Kubrick has always been controversial. Barry Lyndon (1975) is perhaps the most valued and praised film by the critics and the least loved by the audience, that still today think it is boring. Irrespective of personal taste, no one can deny the absolute technical and formal perfection of the film, in which highly deep topics and reflections are concealed.
“Iconic”, that is, relating to an image that strikes the viewer, imposing itself in the collective imagination as a symbol.
The epic dimension of a film is almost always recognisable from the very beginning, the moment it conveys that sense of power that can transcend reality.
«Suspiria» is a film for everyone. We are not talking about censorship, that’s right. We are saying that it is a film that everyone can understand.
It’s not that hard to recognize a masterpiece: impeccable technical elements, a smooth, tight script, solid performances, and deeper meanings that allow the film to stand out in its genre – and even transcend it.
«Suspiria» is a film for everyone. We are not talking about censorship, that’s right. We are saying that it is a film that everyone can understand.
The film by Stanley Kubrick has always been controversial. Barry Lyndon (1975) is perhaps the most valued and praised film by the critics and the least loved by the audience, that still today think it is boring. Irrespective of personal taste, no one can deny the absolute technical and formal perfection of the film, in which highly deep topics and reflections are concealed.
